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Comprehension: Read the following information carefully and answer the given questions. James Hogg defied categorisation. A prolific poet, songwriter, playwright, novelist, short story writer and parodist, he wrote with equal skill in Scots and English. Labelled as the Ettrick Shepherd, the former Borders farmhand, whose life spanned the 18th and 19th centuries, befriended many of the great writers of his day, including Walter Scott, John Galt and Allan Cunningham. Even though he was celebrated off and on in his own lifetime, some details of the author's life remain unclear. Records place his baptism on December 9, 1770. But Hogg long believed he was born in 1772, on January 25 – Burns’Night no less. This complicates attempts to commemorate his 250th birthday, unless we embrace his fantastical worldview. Fiction mattered to him more than fact. Besides, Hogg’s sestercentennial will inevitably be overshadowed by Scott's own such celebration on August 15, 2021. Despite lacking in formal education, Hogg never lacked in confidence. The Poetic Mirror, or The Living Bards of Britain (1816) purports to be a collection of the leading poets of the age (Hogg included). But actually Hogg, the editor, fabricated the works under the guise of bigname writers. There are moody romances after Byron, mystical musings in the style of Coleridge and ponderous poems for Wordsworth. Aside from mimicking medleys, Hogg's own body of work is made up of mountains of bits and pieces – and must be enjoyed on those terms. Seeking conclusions or definitive statements will only frustrate. Tales can drift off into fragments of poetry both familiar and new. Within stories he flips perspectives with little warning. Presented as a found document, Hogg's best work, The Private Memoirs and Confessions of a Justified Sinner (1824) is deliberately left with holes. Dark, humorous, violent, sweet, light, weird, wild, celebratory and cruel, the book has many tones, often all at once. It's not enough to call Hogg an experimental writer ahead of his time or a genre hopper who challenged the conventions of his day. And he was much more than a born storyteller Which of the following works of Hogg is deliberately left with holes ?
